CD: Paul McCartney - Kisses on the Bottom

Beatle raised on big-band standards croons a love letter to the yesteryear of his youth

share this article

Come on, the cheeky title is endearing. So it’s not the Fats Waller lyric that John Lennon would have lifted onto the album cover, but Paul McCartney has often sung of frogs and little lambs, of blackbirds and bluebirds, and even at 69 is still in touch with his inner child. Never more productively than in this homage to the age of the big-band jazz standard he ingested at his father’s feet.

It’s not as if this outburst of nostalgia doesn’t belong to a through-line. With the Fabs he ceded the floor to jaunty clarinets and muted trumpets in “When I’m Sixty-Four” and “Honey Pie”, then with Wings there was “You Gave Me the Answer”. But this time he mostly lets yesteryear’s giants take the songwriting chores. It shouldn’t quite work, but it does, deliciously. One of the unlooked-for pleasures of Kisses on the Bottom is the match between McCartney’s voice, tending to reediness in recent years, and the lilting lyricism of Harold Arlen (“It’s Only a Paper Moon”, “Ac-Cent-Tchu-Ate the Positive”), Frank Loesser (“More I Cannot Wish You”) and Irving Berlin (“Always”). Confined to vocal duties, with Diana Krall leading a house band of jazzers recruited from Mount Olympus (plus Messrs Clapton and Wonder guest-soloing), McCartney ranges flutingly high and – in “Get Yourself Another Fool” - baritone low.

Tonally the anthology of songs put together by a soppy newlywed tends towards the sweet – Loesser’s “The Inch Worm” is the closest we stray to outright tooth-rot. In other paeans to the animal kingdom, the nightclub crooner “Bye Bye Blackbird” (Ray Henderson/Mort Dixon) sounds like a melancholy valediction to another feathered friend singing in the dead of night. Slotted into the collection are two new songs from McCartney himself, of which the more touching is the outbreak of uncertain, late-blooming romanticism of “My Valentine”. You could maybe ask for an injection of smoke and sex and vulnerability, but the Macca voicebox brings its own rich history. It's not one for the under-30s, or even under-40s, but hats off to the old fella.

Watch the promotional video for Kisses on the Bottom

 

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
You could maybe ask for more smoke and sex and vulnerability, but the Macca voicebox brings its own rich history

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album