CD: Santos - If You Have Meat You Want Fish

Italian DJ Santos injects his pumping house with a sense of pop fun

Santos: not taking his club bangers too seriously

An awful lot of people involved in producing electronic dance music find a niche and stick to it. Many do this with a very po face. Speak to them about it and they may play you a track they think is "poppy" to demonstrate their range. It usually isn't, it's just a teensy-weensy bit less purely dance-floor functional than the rest of their oeuvre. Because all they ever listen to is techno, dubstep, fill-in-the-blank, their ability to make a comparative judgment has eroded.

In truth, this is also one of the great things about dance music, that zealot-like devotion to the conceptual core of a micro-genre, that fine-tuning and relentless honing - so fair game. On the other hand, cheeky blighters who dabble promiscuously hither and thither across dance-music styles with insouciant disregard for the stern mores of hardcore scenesters are also welcome, provided they have sonic wit and studio chops. Into this category we can place names such as Armand Van Helden, prime-time Fatboy Slim and Santos.

The latter is 40-year-old Italian DJ-producer Sante Pucello, who is best known for the one-off hit "Camels" in 2001. Since then he's released a range of clubby fare, much of it tinged with off-piste ideas and a groovy lack of seriousness. His third album is much less playful, sticking to a 4/4 house throb throughout. However, Santos is actually off exploring, as usual. Latin percussive ideas and the occasional jazz instrumentation (saxophones, trumpets) weave around the dominant hypno-throb, and electro-house tear-ups are punctuated with the shouty, radio-friendly "Get Strong" (think Groove Armada's "Superstylin'"). Where some of Santos's past fare has been as much about radio pop as Ibizan sweatboxes, If You Have Meat... is firmly grounded in clubland. It has the zesty obviousness of, say, Erick Morillo, but also maintains a sampledelic frivolity that is all its creator's own.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph