CD: Singapore Sling - Kill Kill Kill (Songs About Nothing)

Icelandic psychedelicists turn up the fuzz and steer clear of the radio

share this article

Henrik Björnsson has been laying down nihilistic and scuzzy rock’n’roll sounds with Singapore Sling since 2000, and with Kill Kill Kill (Songs About Nothing) there is a sense that he has long given up chasing radio-friendly commercial success. However, while song titles like “Fuck Everything” and “Surrounded by Cunts” may predominate, the tunes are nothing like the toy-throwing tantrums that they imply. Fuzzy and echo-drenched psychedelia powers this set of 10 haunting and claustrophobic tunes that bring to mind prime time Jesus and Mary Chain, and it’s one fine ride.

The subterranean gothic beat of “Shake Shake Shake” may be a victory for the power of negative thinking but it’s no doomfest. It’s firmly aimed at the dance floor, as is the wild garage go-go groove of recent single “Riffermania (Kill Kill Kill)” and the rockabilly shuffle of “Bop Bop Boo”. “Nothing And Nowhere” brings things right down with an acoustic strum that even features some whistling, but it’s still well within the sonic envelope of the rest of the album. Final track, “Nuthing’s Theme”, however, is not so much a change of tempo as a complete stylistic left-turn. A ramshackle orchestral instrumental with soulful but sparse horns and discordant violins, it suggests Igor Stravinsky, Tom Waits and Ennio Morricone hanging out in an opium den, with some glorious results that may offer a glimpse of a tantalising future direction.

While Singapore Sling’s Mary Chain leanings are hard to miss, the end product is no soulless imitation. Bass lines soaked in reverb and feedback-powered guitars do nothing less than order listeners to their feet to shake some action. It is to be hoped that the Mary Chain can also produce some primal grooves of this quality when they return to the fray later this Spring.

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Bass lines soaked in reverb and feedback-powered guitars order listeners to their feet to shake some action

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album