CD: They Might Be Giants - Nanobots

Pop geeks make fun album for the whole family

Over here, They Might Be Giants are mainly known for the insanely catchy “Birdhouse in My Soul”. There's also a general assumption that it's their only hit, and a suspicion that they're, probably, Canadian. In fact, TMBG are a Brooklyn-based band centred around founders John Flansburgh and John Linnell. A long and often successful career in the States has included several children's albums and even the theme for the sitcom Malcolm in the Middle. The latter won them a Grammy. Nanobots is their 16th album and, quite consciously, looks back over their 21 years in pop.

Impressively, it does so – for the most part, at least - without becoming irritating. The New Yorkers have produced 45 minutes of quirky pop, much of which transports the listener to a world of childlike delight. The album was produced by Partrick Dillett who has worked with David Byrne, and a Byrne-like sense naïvety combined with intelligence frequently rises to the surface. There’s even a bit of political satire on the song “Black Ops”. Don’t be fooled, however - the overall feel of the album is best captured by the promo for the title track, which features cartoon mice making tiny robots (see below)

Three wonderfully-crafted examples of power-pop glue the album together. These are “You’re on Fire”, “Stone Cold Coup d’Etat” and “Tesla". The latter is not only a gorgeous song but a surprisingly pithy summary of the life of scientist Nikola Tesla. The overall finish of the LP is spoiled, however, by an overabundance of short, incomplete musical ideas, many of which sound like rejected jingles for Sesame Street. The second half contains no fewer than seven songs under a minute long and they all really belong elsewhere. For the most part, however, They Might Be Giants have created something almost unique: a genuinely entertaining family pop album.

Watch the video for "Nanobots"

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
They have produced 45 minutes of quirky pop, much of which transports the listener to a world of childlike delight

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph