Josienne Clarke & Ben Walker, Green Note, Camden

Fire & Fortune duo deliver slow-burning new folk and old classics

The Green Note had put up a Sold Out sign on Monday night when Josienne Clarke and Ben Walker stepped in to play a sometimes mesmerising set on the little stage by the door. It’s a great venue that a lot of big artists have stepped inside to test their real stature, and Clarke and Walker have a future that could see them grow their audience in the way that some of their heroes - Sandy Denny, Richard and Linda Thompson, Nick Drake, Bert Jansch, June Tabor – have done with three simple but rare ingredients: a compelling voice, dextrous guitar work and great songs.

There were a few Sandy Denny classics among the duo’s set – "Fotheringay" and "Who Knows Where the Time Goes?" among them – and while Clarke’s voice doesn’t spill and overflow in the thrilling way Denny’s does, she takes them inward and to a different place. Hers feels more like a voice of shadows than brilliant lights.

A take on 'The First Time I Ever Saw Your Face' could make an X Factor judge blub

The first half is a little shaky, with the between-song introductions focusing distressingly on indifferent reviews in regional publications. There should be a St-Elmo's-Firewall between artist and review sheet; if not it risks going all Alan Partridge. But there were strong versions of two of the traditional English folk songs from their album Fire and Fortune (Proper) – "My Love is a Red Red Rose" and "Green Grow the Laurel", and a take on Ewan MacColl's "The First Time I Ever Saw Your Face" that could make an X Factor judge blub like a child.

Theirs are strong original songs too, with lyrics sporting wit, complexity and a few shafts of emotional darkness. Add to the mix an Argentine tune, and top it off with a Buck Owens song, and you have a recipe for an acoustic duo that's going to bear some good fruit.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Theirs are strong original songs too, with lyrics sporting wit, complexity and a few shafts of emotional darkness

rating

3

explore topics

share this article

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album