Midlake's 'A Bridge to Far' is a tour-de-force folk-leaning psychedelic album

The Denton, Texas sextet fashions a career milestone

“Climb upon a bridge to far, go anywhere your heart desires.” The key phrase from the title track of Midlake’s sixth studio album conveys the perception that anything is within reach should an appropriate mind-set be attained. However, later on the album there are references to a “lion’s den” and “war within the valley of roselesss thorns,” a setting where “power and glory were in store.”

It seems, then, that this is a realm where escaping to a place called “far” is necessary for self-protection. Midlake singer and frontman Eric Pulido has said of the album’s "The Calling" that the song “has to do with my own struggle with applying myself towards a given effort; denying or embracing that which we were made to do.” Another track, “The Ghouls,” concerns “the temptation to demonize the realities or challenges that exist and yet to face them head on and create something extraordinary.”

In contrast with the heaviness of these thematic difficulties, A Bridge to Far is sonically light, the analogue of the sun dissolving glowering clouds. So much so that the 10 tracks the Denton, Texas sextet have assembled over the album’s 38 minutes can be appreciated solely for what they are musically: crisp, top-notch folk-leaning psychedelia with overt jazz leanings. It all sounds like Midlake: hazy, a little distant, with yearning melodies. There are fewer potential musical touchstones than their last album 2022’s For the Sake of Bethel Woods, with its Woodstock Festival-referencing title and intimations of Echo & The Bunnymen, Mercury Rev and The Moody Blues. Here, the only possible kinship is with David Crosby’s 1971 impressionistic tour-de-force If I Could Only Remember my Name.

And, fittingly, living with A Bridge to Far since late August suggests it is as much a tour-de-force as Midlake’s previous archetypal milestone, 2013’s Antiphon. The band formed in 1999, lost their key songwriter and frontman Tim Smith in 2012 and yet here they are, after more than two decades in existence, firing on all cylinders. Astonishing.

@kierontyler.bsky.social

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
After more than two decades in existence, it is astonishing that Midlake are firing on all cylinders

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Two hours of backwards-somersaults and British accents in a confetti-drenched spectacle
The Denton, Texas sextet fashions a career milestone
The return of the artist formerly known as Terence Trent D’Arby
Contagious yarns of lust and nightlife adventure from new pop minx
Exhaustive box set dedicated to the album which moved forward from the ‘Space Ritual’ era
Hauntingly beautiful, this is a sombre slow burn, shifting steadily through gradients
A charming and distinctive voice stifled by generic production
Eight CDs encompass Dylan’s earliest recordings up to his first major-league concert
The former bassist of the grunge-leaning trio JJ72 embraces the spectral
Singer's return after seven years away from music is autofiction in the brutally raw
How the maverick Sixties producer’s preoccupations influenced his creations