Travis, Islington Assembly Halls

The nice lads from Glasgow are on hard(ish) rocking form

“The reason we’ve been away so long,” explained Fran Healy halfway through last night’s gig, “is we wanted to take time off to enjoy our kids.” Such non-rock’n’roll sentiments are, of course, the sort of thing you might expect from a band once dubbed the “nicest in the world”.  What I hadn’t anticipated, however, was the amount of fire and passion that would surface during the night. Really.

Travis have often been described as a sort of late-Britpop predecessor to Coldplay. Faint praise indeed. Chris Martin even calls himself a “poor man’s Fran Healy”, which hardly improves the compliment. The problem has never been the quality of the tunes – most agree Travis’s songs are well-crafted. The real issue has been, until recently, the band have failed to convince they are capable of expressing the grittier side of life.  Put it another way, they can sound a little wet.

“Selfish Jean” was delivered with a real sense of emotion and experienceLast night’s gig - their first in the UK for five years – was scheduled to give fans an opportunity to preview some of the new album in an intimate environment. The Islington Assembly Halls, an art deco building attached to the town hall, is an interesting venue but can struggle to lose its air of municipality. Last night that worked in the band’s favour. Gone was any sense of the band’s history as a platinum seller. It felt like a return to their origins in the clubs of Glasgow.

Despite the vague acoustics of the room the rock-solid performances of the five musicians on stage kept the sound from veering off course. Guitarist Andy Dunlop was on particularly fine form. Throughout the night he both let his inner axe-God surface, and brought a much needed rawness to damper songs like “Writing to Reach You”. Healy's recent work on his singing also seemed to be paying off. Songs like “Selfish Jean” and “Love will Come Through” were delivered with a real sense of emotion and experience.

The set was largely divided between gutsy re-workings of old favourites and examples from the new album. These included superior American FM-rock material like “Mother” and “Moving”. Healy also proudly premiered the song “Reminder” about becoming a parent. It’s probably the hardest subject for a songwriter to tackle – not even John Lennon could escape mawkishness on “Beautiful Boy”. Healy’s lyrics may not have fared any better but, at least, it was an agreeable tune.

The real surprise of the night was how effective the band were on the harder rocking numbers. It was true of “Blue Flashing Light” and “All I Want to Do is Rock” and even more so on a fuel-injected, impassioned version of “Turn” which proved to be the high point of the evening.

Still, the crowd seemed to be divided on the performance as a whole. Whereas the fans at the front were lapping up every moment, nearer the bar stood a group of hipsters poo-pooing what one described as “old-hat". It may be true that Travis are currently be less fashionable than they’ve ever been, but last night they demonstrated they are also at the top of their game.

Watch the video for Travis's new single "Where You Stand"

 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
I hadn’t anticipated the amount of fire and passion that surfaced during the night

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph