Young Fathers, Usher Hall, Edinburgh review - powerful set from a band who keep pushing boundaries

Electric energy from one of the UK's most exciting current bands

Fresh from winning this year’s Scottish Album of the Year Award – for the third time no less! – Young Fathers gave a spectacular performance on Tuesday night on their home turf, at Edinburgh’s Usher Hall. Sure, it seems odd that a competition that’s only been running ten years has been won three times by a band who’ve released four albums.

Listen to the albums though and you’ll get it. See Young Fathers live and you’ll realise why this is one of the most exciting bands making music right now not just in Scotland, nor even the UK, but internationally. This is a group who are always creating something new. Touring their new album Heavy Heavy, the trio – Alloysious Massaquoi, Kayus Bankole and Graham "G" Hastings – were joined by a crack team of musicians in their touring band, including two fabulously powerful backing singers, as well as singer and multi-instrumentalist Callum Easter, who’s also supported the band for several of their shows. The sound they created was vigorous yet soulful, punchy yet light in what was a sparklingly theatrical performance. With nothing but a torn and (artfully) stained white sheet as a backdrop juxtaposed with a dazzling lighting rig, they demonstrated visually as well as aurally that they’re a band who can’t be pigeon-holed nor pinned down.

Playing mostly tracks from the new album, "Rice" had a strong, infectious swing, with a heavy, loud drumbeat banged out from the back of the stage, while "Tell Somebody" was powerfully tender, with compelling vocals from the band and backing singers. "I Saw" was audacious and angry, its raw, visceral energy probably prompting the most kinetic reaction from a crowd which, for a band like this, was a wee bit muted. Earlier numbers were also rousing, such as "Get Up", from their debut album DEAD, and "In My View" from 2018’s Cocoa Sugar. Ending the set with "Toy", also from Cocoa Sugar, the band squeezed out every last drop of their energy to end what was a magnetic set.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
This is a group who are always creating something new

rating

5

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph