CD: The Cult - Hidden City

Album no.10 from Ian Astbury and co. is patchy, but entertaining

share this article

The Cult, functionally Ian Astbury, Billy Duffy and whoever else is joining them at any given time, have, like a peculiarly showy chameleon, constantly changed their colours without ever blending in. From goth pirates banging out breakthrough, incense-smoked anthems, they've progresssed through hoary heroics of cock-rock cliché, to dark, occasionally industrial and deeply confessional folly.

Refusing to rest on their extravagant laurels, The Cult have largely avoided the heritage shades of many of their peers. Yes, there were a couple of tours to celebrate the albums Love and Electric, but they've managed to release new material with surprising regularity. Hidden City is their 10th studio album and completes a near decade-spanning trilogy that started with Born Into This (2007) and continued through 2012’s Choice of Weapon.

Like both of its predecessors, Hidden City is made up of a handful of stand-out songs held in place with an extraordinary amount of filler. There's a lively enough opening with “Dark Energy” stomping along, stopping just short of sticking its thumbs in its belt loops, followed by the bold dynamics of “No Love Lost”. The energy levels peter out during “Dance the Night”, however, and by the time “In Blood” starts up, there’s a real worry that, for seasoned rock professionals, The Cult have seriously toploaded their latest joint. It takes a couple of songs to get there, but the heads-down, heavy blues rock of “GOAT” sees them regain much surer footing, before “Lilies” adopts a softer, more reflective tone. After repeated listening, this has become something of a standout, although I've still to work out exactly why. By the end, though, the predominent thought is that there probably wasn’t a wealth of material to work with in the first place.

Overall, Hidden City’s problem is that too often it pounds where it should punch. It hasn't got the hips to roll when it rocks. And that's a shame, because it is, in parts, great fun. Ultimately, however, it's an album that begs to be defined by what it isn’t, rather than what it is.

 See overleaf for the video to "Dark Energy"

 

 

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Too often, Hidden City lacks the hips to roll when it rocks. And that's a shame, because it is, in parts, great fun

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album