CD: Red Axes - The Beach Goths

A masterful sketchpad of songs from the Tel Aviv producers

share this article

It’s telling that, on their 2014 debut LP, Ballad of the Ice, Dori Sadovnik and Niv Arzi covered Bauhaus’ epic proto-gothic ode “Bela Lugosi’s Dead”. The 1979 single, with its incessant shuffle, dubbed-out tape delay and post-punk guitars, straddled the worlds of rock and dance with perfect balance and fine judgment. It has, quite clearly, been an influence on Tel Aviv’s Red Axes, who, with their second full-length offering, The Beach Goths, have delivered a collection that shares a similar sense of poise and purpose. 

After a slew of single releases on labels including their own Garzen imprint, the home of this new album, you might be forgiven for thinking that Red Axes were primarily a dance outfit. However songs such as 2015’s "Hamem Oti" and "Kol Sof Sof", along with a particularly impressive re-edit of The Shocking Blue’s 1969 psych belter "Love Buzz", have shown the much wider terrain over which their net is cast. 

As a whole, the album feels like the perfect party – part gig, part club, with a house band playing call and response across the decades. Opener “Ride the Sus” sounds like Joe Meek overseeing a session in which Raymond Scott guests with the Cramps. There’s a similar feeling of history folding back on itself with the exotica loops and spaghetti-Western hoops of “Cooked Banana”, the urgent, heads-down adrenaline rush of “Tarzan Blues” and the near-perfect pop psych of “What Is in Your Head”, all rendered with impressive authority and whip smart production. 

But that’s far from the only trick they have up their sleeve. “Shir 1” and “Talmood” combine the hum of machinery and thrum of the drum to create a sense of alchemic experimentation similar to what has come before, only a little later in the evening, when the lights are off and the eyes are narrowed. 

They’re not above throwaway either – the knowingly dumb, arch comedy of “Relaxation (For Your Mind and Body)" may seem a little odd at first, but it serves a purpose as a clever and refreshing palate cleanser before the launch into the album’s second half. 

With an array of friends and family including Nadav "Autarkic" Spiegel and Yovav Arzi – an impressive producer in his own right – on hand to embellish and add colour to this amazing sketchpad of songs, Red Axes have come very close to creating a ramshackle but essential masterpiece. 

@jahshabby

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Red Axes have come very close to creating a ramshackle but essential masterpiece

rating

4

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album