CD: Fever Ray - Plunge

Swedish maverick returns after nearly a decade away with avant-electro-pop paean to sexual freedom

This album has been about in virtual form since last autumn but now receives physical release. In more ways than one. Since theartsdesk didn’t review it back then, its reappearance on CD and vinyl gives us an excuse to now. After all, Swedish musician Karin Dreijer – once of The Knife – is fascinating, an artist who pushes at the boundaries. She revived her Fever Ray persona last year amidst videos revelling in sci-fi weirdness and orgiastic BDSM imagery. Plunge is the musical life statement that follows.

Five years ago Dreijer divorced, shaking off the “Andersson” that once double-barrelled her name. She has since been exploring her mostly gay sexuality in an untrammelled physical manner, according to both interviews she’s given and the lyrics here. Where Fever Ray’s eponymous debut album, nine years ago, was morose, the sound of a woman trapped, depressed even, by parenthood, Plunge is an explosive liberation. With it comes a twisted electro-pop that upon occasion, as on the celebratory “To the Moon and Back”, is even light and accessibly melodic.

That’s not to say this is all easy stuff. On “Falling” she seems to be exploring her sexual identity via a chugging Gary Numan-esque machine rhythm, while the techno pulsing “IDK About You”, with its occasional orgasmic yelp samples, may be about Tinder hook-ups and trust. The true centrepiece and manifesto, though, is “This Country”, which stridently identifies sexual repression with political will. Many will turn to the line “The perverts define my fuck history” but, perhaps, it’s true core lies in the couplet “Free abortions and clean water/Destroy nuclear, destroy boring”.

Plunge is less art-obtuse than much Dreijer has been involved in, closer in tone to Björk and, musically, Santigold’s underheard 2016 album 99¢. She remains her own creature, not releasing this through commercial imperative but as a necessary proclamation, yet it’s as pop as anything she’s done since The Knife’s second album 12 years ago.

Overleaf: Watch the video for "To the Moon and Back" by Fever Ray

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
It's as pop as anything she’s done since The Knife’s second album 12 years ago

rating

3

share this article

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album