The Killers, Cardiff Castle review - The Man arrives

A perfectly performed hit show, 15 years in the making

share this article

With the fabled fields of Glastonbury on the horizon, The Killers chose the equally mythic Cardiff Castle as their practice run. While Stormzy was making history on the Pyramid Stage, the Welsh capital played witness to a precision-engineered pop-rock spectacular, complete with pyros and an extravagant light show. Well, if you can’t make history, make memories.

They began big with a one-two punch of first-album bangers. “Jenny Was a Friend of Mine” led straight into “Mr Brightside”, a power play to drop their generational lads anthem so early, but it mainlined adrenaline straight through the crowd – and there was 15 years of tunes to back it up.It was a night of singalongs, from the rarely played “Glamorous Indie Rock & Roll” to electro-pop hit “Human”, in which the crowd insisted on pluralising the word “dancer” despite singer Brandon Flowers's best efforts. And what efforts they were – strutting around in a cowboy hat, mounting a “K” shaped keyboard, hitting high notes and higher kicks from first to last. As he rightly sings, he is “The Man”.

As one would expect for a Glastonbury warm-up, it was a festival-level show. Pink confetti cannons showered the audience, while golden sparks fell in front of a huge LCD screen. They certainly made every effort to give the crowd their money’s worth, though the same cannot be said about the promoters. Support act Yola, though excellent, is hardly a big name, and the men’s urinals were literally exposed to the bar. At over £80 a ticket, you’d expect more.The Killers at Cardiff Castle Still, the show itself was a hit-filled, perfectly performed joy. Though The Killers haven't maintained their early mega-success, they have more than enough big songs to fly through the set. And, in a touching tribute, they even played "Rain in the Summertime" by Welsh legends The Alarm, dedicated to singer Mike Peters whose battle with cancer has inspired so many.

The band ended the night on “All These Things That I’ve Done” and “When You Were Young”, two reliable classics that sent the audience home on a high. “Can you come and be our crowd tomorrow at Glastonbury?” Flowers asked as he basked in adoration. With a set that flawless, they’re bound to inspire the same response every time.

@OwenRichards91

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
As one would expect for a Glastonbury warm-up, it was a festival-level show

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album