Album: The Courettes - Back In Mono

Garage rock revivalists go-go girl group crazy

share this article

The ghost of Phil Spector’s mixing desk looms large over the new album by the Danish/Brazilian garage rock revivalists the Courettes. There’s even a cry of “Look out! Look out! Look out! Look out!” to accompany the rocking go-go surf beat of “Hop the Twig”.

The influence of the Shangri-Las in particular, is even more explicit on likes of “Want You! Like a Cigarette” and “Hey Boy”, with its “Give me a kiss before you go” reprise. Saxophones, tambourines and spoken lyrics join Flavia and Martin Couri’s twanging guitar and strident drumming in the echo chamber to make some serious teenage symphonies and it feels like we’re back in 1964. It’s all good though. In fact, it’s a great deal better than good.

Elsewhere, there’s lively vintage garage rock to rival the likes of the Seeds or the Sonics and “Edge of my Nerves” brings some wild fuzz guitar from Flavia and a rattling beat from Martin. There’s even a tribute to Sir Richard Starkey MBE on “R.I.N.G.O.”. While “Won’t Let You Go” and “Trash Can Honey” both add a rockabilly groove that seriously has the wind in its hair. This may be revivalist stuff but it really doesn’t feel like it’s stuck in a rut. In fact, it’s a complete riot.

“Hop the Twig”, however, is the stand-out track on Back In Mono. A Duane Eddy twang is backed by garage rock vibes, a raucous beat, screams and Sixties girl group vocals singing supremely daft lyrics. It really is pure gold that’s guaranteed to get even the most jaded dancer up on their feet and shaking a leg.

The Courettes are touring the UK in the second half of this month (October 2021) and it really would be a shame to miss out if they are as good on stage as they are on record.

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
It really is pure gold that’s guaranteed to get even the most jaded dancer up on their feet and shaking a leg

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album