Album: Goat - Oh Death

Scandinavian shamen return with a lively new ritual

It’s now six years since Goat last released an album of new songs and, despite a live disc and one of B-sides and other odds and sods that have appeared in the meantime, its Requiem title suggested that it might have been their last call to arms. However, do not fear, our favourite pagan psychedelicists are back in the ring and on top form with a lively soundtrack that is more than enough to drag even the most dancefloor phobic up on their feet to shake a leg.

Yet again, these mysterious mask-wearing Scandinavians defy any easy classification though, taking in 70s funk grooves, Afrobeat percussion, punk attitude and enough warped imagery to fry minds aplenty. For while Requiem saw the band mellowing out somewhat, Oh Death displays an incendiary and relentless raucous energy wrapped in a rule-free trip.

Opening things up with a chilling sample from one of the Evil Dead films, “Soon You Die” lays things down with a thumping fuzz-heavy reminder that we are all here for a limited time and that it shouldn’t be wasted. This sets the tone for Oh Death and hips are kept moving with the insistent Barundi beat of “Do the Dance”, the skronky sax and funky grooves of “Under No Nation”, and the head-spinning cosmic spice of “Blow the Horns”. In fact, it’s a wild ride that is guaranteed to bring a smile to anyone’s face as they inevitably surrender to its many charms, spinning and stomping along.

This isn’t to say that Oh Death is a single speed set, as “Goatmilk” slows things down somewhat while still keeping the rhythm flowing and things finally come to an end with the unsettling and disorientating “Passes Like Clouds”. In fact, Goat’s latest is a fine album that will doubtless end up being a glorious musical highlight for many sonic adventurers this year. 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Our favourite pagan psychedelicists are back in the ring and on top form

rating

5

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more new music

Three supreme musicians from Bamako in transcendent mood
Tropical-tinted downtempo pop that's likeable if uneventful
The Bad Seed explains the cost of home truths while making documentary Ellis Park
Despite unlovely production, the Eighties/Nineties unit retain rowdy ebullience
Lancashire and Texas unite to fashion a 2004 landmark of modern psychedelia
A record this weird should be more interesting, surely
The first of a trove of posthumous recordings from the 1970s and early 1980s
One of the year's most anticipated tours lives up to the hype
Neo soul Londoner's new release outgrows her debut
Definitive box-set celebration of the Sixties California hippie-pop band
While it contains a few goodies, much of the US star's latest album lacks oomph