Kenny Barron, revered as the best jazz pianist around, is a perfect gentleman and a master of “cool” – a quality once described in great depth by the American Africanist Robert Farris Thompson, in an article originally published in African Arts in 1973.
Will Bob Dylan’s Never Ending Tour ever come to an end? Two years on from the last UK tour, he’s returned, with substantially the same band, once again mostly featuring material from his brilliant album Rough and Rowdy Ways (2020). He’s a little less steady on his feet, but remains as present as ever, clearly enjoying being on stage and contact with an audience that welcomes him with love as well as uncritical adulation.
Cryptocurrency is like the myth of El Dorado – a promised land made of fool’s gold. Despite its liberatory potential, it frequently attracts sharks or, as the title of Beru Tessema’s new play indicates, hungry wolves that gobble up defenceless sheep.
Mac is in prison for a long stretch. He is calm, contemplative almost, understands how to do his time and has only one rule – nobody, cellmate or guard, can touch the photo of his daughter, then three years old, attached to his wall. Though he is a man who gets through the days with few problems, he solves them through violence. On his release, his only wish is to find the daughter who will have forgotten him.
Until 2022, the lovely 18th century church of St Mary-le-Strand was a traffic island, ignored and unloved and rarely visited. Then came the pedestrianisation of the section of the Strand outside Somerset House, transforming the area from somewhere polluted and dangerous, to a walkable piazza, and transforming the church into what is now dubbed “The Jewel in the Strand”.
Among the many things that make the folk community such a warm and welcoming “family” is that you know which side you’re all on, to paraphrase the title of the song written by Florence Reece, wife of a United Mineworkers official during the bitter struggle known as “the Harlan County War”, almost a century ago. Collected by Pete Seeger and sung by the Almanac Singers, it is kept alive by Billy Bragg any many others.
The latest true-crime adaptation about a murderous man and his female victims turns its star into a bloody mess on a hospital table, her vital signs flatlining. And that’s just halfway through, with two episodes to go.
In Alan Hollinghurst’s first novel, The Swimming Pool Library (1988), set during the summer of 1983, the young gay narrator, William Beckwith, lives in Holland Park. That same year and location furnish the setting of the first part of Hollinghurst’s third novel, his masterpiece, The Line of Beauty (2004), in which the young gay hero, Nick Guest, becomes a lodger – a guest – in the house of a recently elected Tory MP, Gerald Fedden, whose son Toby he’d fancied at Oxford.
Blitz, set on a vast CGI canvas in September 1941, is an improbable boy’s adventure tale that depicts the misery and terror that was inflicted on East Londoners by Germany’s eight-month bombardment. The enemy in the movie is not airborne, however. Writer-director Steve McQueen made it to educate audiences about contemporaneous white racism in Britain – proof that not all the British pulled together during the time of total war.
Hanif Kureishi’s 1990 novel The Buddha of Suburbia begins like this: “My name is Karim Amir, and I am an Englishman born and bred, almost”. Almost. Yes, that's good. We are in 1970s south-east London, and this immediately introduces, despite its tentative tone, the protagonist as a young man trying to define his identity.