A detective ghost story with virtually no violence – Murdered: Soul Suspect is an odd construction. It is part point-and-click adventure game, part interactive fiction and part stealth-adventure – none of which are massively successful elements.

While investigating The Bell Killer, a serial killer working his way throughSalem,Massachusetts, your clichéd cop comes off the worse for an encounter. Thrown out of a high window, then shot, you come to as a ghost. Now, in order to be head off into the light, you must find out who your killer is.

Heralded as the first true "next-generation" videogame, Watch Dogs has either been hugely overhyped or the imaginative leap required for a true new generation of videogaming is entirely absent from mainstream games. Because this cyberpunk-inflected hacking action-adventure offers virtually nothing new.

Videogames aesthetics are often misleading. There are many examples of beautiful games that have no artistic merit, emotional heft or ludological interest. There are also many examples of ugly games that grip utterly. Of course, the ideal is both simultaneously – and Transistor almost does that.

It's time to talk about time travel. The fourth dimension, as time is sometimes called, represents fertile ground for videogames designers. After all, the shift from side-scrolling two-dimensions (move left, right, jump up, fall down) to three was a huge leap.

There are many admirable things about Child Of Light. It's the game that the core team behind Far Cry 3 – the mega-action, gnarly dude first-person shooter ‑ went on to work on next. Yet, it's difficult to imagine two games further from each other.

Superheroes and videogames should be a match made in heaven – the primary colour characterisations; the non-stop action and combat; the backstories sketched on a napkin, but then gradually filled in over multiple issues; the superpowers, analogous to classic videogame "power-ups". It's strange then, that videogame superheroes have had such a tough time of it in general.

Flow states – experienced by athletes, religious zealots and videogamers playing Titanfall. This explosive action game is the most eagerly anticipated and hyped-up videogame of the "next generation" console war so far. It could singlehandedly transform Microsoft's slow start for its new Xbox One console. And while being deeply dull and reactionary in many ways, it encourages a gaming flow state of constant fun like little else in some time.

Thief is the reboot of one of the oldest, and smartest of the stealth-action gaming series. Of course, as is customary in modern videogame design, the gameplay's been somewhat dumbed down. But it's not fatal here – leaving a stealthy and stylish successor that's a touch too repetitive.

Dracula, the ultimate symbol of undead power, mystery and evil. As the anti-hero in this action-adventure sequel to the excellent Lords Of Shadow, you'd hope this would make for an epic adventure, or at least some toothsome plotting. Instead we get an enfeebled, old man as main character, a meandering, over-complex plot with ill-judged shock factor elements and far too many dull sections to plod through. It makes Twilight look like The Hunger or Near Dark in comparison.

"We were somewhere around Barstow on the edge of the desert when the drugs began to take hold..." thus begins Hunter S Thompson's seminal Fear And Loathing In Las Vegas. And the spirit of that book and HST's surreal "gonzo" take on reality live on in this oddball "comedy adventure game set in an alternate-reality Cold War World, plagued with Corporate Espionage, CyberCrime™ and Sentient Martinis."