The album title ‘Where’s the One?’ is the question that often cropped up during the album’s creation. That’s to say, ‘the One’ is the opening beat of each bar that the western rock musicians often had trouble locating in the rich, complex brew of distorted thumb pianos, duelling guitars and intricately overlaid percussion generated by the Congolese musicians. And in some instances, the mystery was never solved.

When the pandemic closed in, Canadian experimental indie rock troupe Arcade Fire were on the cusp of heading into the studio to record their new album. COVID had other plans. But rather than pause, the husband and wife duo of Win and Regine Butler continued to work on more songs together. As they admit, this has ended up being the longest time they’ve spent writing for an album.

Not quite 50 and already Kate Rusby has notched up 30 years on the professional stage, an anniversary marked by a new album featuring newly recorded favourite songs from across her career on which “the Barnsley Nightingale” is joined by an array of special guests.

Fifteen years after John Carpenter scored a massive box-office hit with his ingenious low-budget sci-fi thriller Escape from New York (1981), he was given a free rein to make Escape from LA. Unfortunately, unlimited access to extras and all the toys available in the special-effects cupboard in 1993 didn’t make for a better movie. 

When Soft Cell first caught the imagination of the nation it was a time of hope, opportunity and change. One of the first bands to bring technology to the top of the charts, they seemed to herald a new age after the grey years of the Seventies. They felt it too and they were also wrong. What colossal idiots we were, National Treasure Marc Almond confirms.

Radiate Like This is the first album in six years from American indie rock outfit Warpaint. The wait is, in part at least, down to Covid, which took hold just after they’d finished early recording sessions, forcing the band – like the rest of the world – into a solitary stasis of sorts.

All power to Willie Nelson – marking his 89th birthday this week with a new album, A Beautiful Time. He and Trigger have been making music together for more than half a century, Nelson releasing his first album in 1962. From his pen have come some of the most powerful, poignant and enduring country songs ever written and he’s not done yet. How many of today’s artists, from whatever genre, will survive even half as long?

Drummer/vibraphonist Ches Smith’s previous release on the Pyroclastic label could not be more different from this one.

François Truffaut’s Nouvelle Vague masterpiece revolves around an endlessly mutating love triangle, set in a world that encompasses the hedonism of the Belle Époque, the horror of the First World War, and the book burning that ushered in the Nazi period in Germany. The film is a triumph of humanity as well as a deep and touching reflection on friendship, love and marriage.

Trombone Shorty has been described as “part Jimi Hendrix, part James Brown and all New Orleans”. I can’t vouch for the New Orleans part of this description, but on the evidence of this album, part Lenny Kravitz and part Bobby Brown might be closer to the mark.

While Trombone Shorty has put out 12 albums in the last 20 years as a bandleader, his main day job is a sideman for numerous other acts, from Harry Connick Jr to Bone Thugs-n-Harmony. Hence, Lifted is actually his first solo album in five years.