Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”: unambiguously a lyrical barrage at her childhood friend and frequent collaborator Inflo, who Simz is currently suing for alleged failure to repay £1.7 million in loans for ambitious recording and performance projects.

Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the Manchester band which had been integral to British punk since 1976, the other members thought it was still a going concern. Shelley had reached a different conclusion.

Photographer Finetime and I have our first pints outside Dalton’s, a bar on Brighton seafront, at almost exactly midday. They are Beavertown Neck Oil IPA at 4.3%. The sun is out, glinting off the sea. Feels like the calm before the storm.

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK and European tour.

Given the band’s well-known habit for disagreements and teetering on the edge of imploding, that might have been a wise decision. It didn’t affect the show itself, for while the group’s history is littered with chaos, this was a lively but controlled display. 

Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has largely been a mystery. On record, the only suggestion this influential guitarist had continued with music was the EP his post-Banshees band Zor Gabor issued in 1987. Otherwise – nothing.

There’s always been a goofy charm about Billy Idol. As an implausibly chiselled Adonis shining out from the deliberate ugliness of the original London punk scene, he was a misfit among misfits. As a pop star through the ‘80s, he was visibly so spectacularly high almost all the time that he somehow made everything pantomime-ish around him. Latterly he’s been such a perfect encapsulation of the Brit rock star in LA archetype he could quite plausibly be starring in a Spinal Tap spinoff.

Sweden’s most gloriously unhinged export is back, and Viagr Aboys might just be Viagra Boys at their most fun, feral and fully realised. This album doesn’t try to out-clever the world; it grabs it by the collar, shakes it around, and laughs in its face.

Record Store Day 2025 is tomorrow (Saturday 12th April 2025)! At theartsdesk on Vinyl we’ve been sent a selection of exclusive RSD goodies. Check the reviews. Then check your local record shop! See you amongst it.

THEARTSDESK ON VINYL CHOICE CUT FOR RECORD STORE DAY APRIL 2025

Marianne Faithfull Burning Moonlight EP (Decca)

Resurrecting the origins of old rock stars is becoming quite the thing, After cinema’s Elton John, Freddie Mercury, Bob Dylan and upcoming Bruce Springsteen films, theatreland has staged Tina, A Night with Janis Joplin and MJ, and the Kinks musical Sunny Afternoon is touring again soon. On a more intimate scale, now there's Wilko: Love and Death and Rock’n'Roll, about the Dr Feelgood co-founder and rock guitarist extraordinaire who outflanked cancer and became a star of Game of Thrones.

The exhortations don’t seem necessary as the audience is already letting off the steam which has built up in anticipation of a full-bore show. Nonetheless, The Courettes’ Flávia Couri knows higher levels of excitement are there to be tapped, that it’s possible to get the crowd to liberate themselves from any restraint they may have left. Limits are there to be pushed.