Best-known for his TV series Legion and Fargo, director Noah Hawley makes the leap to the big screen with an existential space drama based on true events, starring Natalie Portman.

For an actor, there are few bigger risks than writing and directing your own film. Securing funding is pretty easy if you’re a household name, like Karen Gillan is, but that doesn’t mean your script is any good or your vision holds water. At their worst, these films can be vain and embarrassing affairs. At their best, you’re left wondering if there’s anything their star can’t do. The Party’s Just Beginning puts Gillan very firmly in the latter camp.

Ophelia is one of Shakespeare’s most iconic yet underdeveloped dramatic roles. A sweet and naïve girl, she’s driven mad by Hamlet’s wavering affections and her father’s death. She was often the subject of paintings, yet rarely of novels until the 21^st century.

Professor Punch (Damon Herriman) was once famed throughout the lands as a masterful puppeteer, performing shows night after night with his dutiful wife Judy (Mia Wasikowska). Now, they have been relegated to the provinces. Specifically, the backwash of Seaside, Judy’s hometown far from the coast (as the prologue informs us), where they are raising their baby. They live amidst the daily stoning of presumed witches, and the paranoid grumblings of the small-minded citizenry. As odd couples go, they couldn’t be less well-suited.

Permission tells the story of Afrooz, the captain of Iran's National Futsal Team, who is stopped from joining her team at the Asia Cup Final because of the last minute whim of her estranged husband.

Ophelia is one of Shakespeare's most enduring characters in both literature and art, and yet her part in Hamlet is limited to few lines and fewer motivations. Based on Lisa Klein's novel, the new film Ophelia challenges this interpretation. Daisy Ridley stars as the iconic maiden raising above the petty squabbles of flawed men.

It should come as no surprise that the writer of Side Effects and Contagion, Scott Z. Burns, is capable of directing a whip-smart drama like The Report. Known for his collaborations with Steven Soderbergh, most recently on Netflix drama The Laundromat, Burns has made a career of turning complex material into engaging viewing.

Forty years after the classic, multi-Oscar winning Kramer v Kramer comes another divorce drama involving two young Americans and a son caught in the crossfire. And this one is even better. 

"Surreal" is how the man calling himself Nicholas Searle describes the last five years of his life. He began working on his debut novel The Good Liar in 2014 at the age of 57, having recently retired from the Civil Service. The nature of his former employment remains undisclosed. But, the fact that Nicholas Searle is not his real name, gives a clue to the fact his work was in intelligence rather than land registry.

Much has been made of Martin Scorsese’s recent dismissal of Marvel films. Putting that debate aside, there’s no escaping the fact that in an era of rapid-fire sequels, with the same ensembles trotted out year after year, there’s far more frisson to be felt when the reunion is after not one or two, but 25 years – and what the filmmakers are seeking to recreate really is movie magic.