International Dance Festival Birmingham (IDFB) is one of the unsung heroes not just of dance in Britain, but of festivals. It treats anyone within striking distance of the West Midlands to an exciting range of performers and public dance events over three weeks, and is cleverly scheduled in May – when lengthening days and bank holidays make us want to go out and have a good time, but it's not quite warm enough for camping.

“If we want to keep this free and democratic Europe of ours free and democratic, we must enlist ourselves, our skills and our commitment to liberty and justice. The problems we face are too great to simply say let the politicians do it.

With the 50th Brighton Festival taking place this year, Festival CEO Andrew Comben meets theartsdesk for a chat about the original 1967 event, and its relationship with this year’s Festival. Comben has been the Brighton Festival's overall manager since 2008, also overseeing the Brighton Dome venues all year round. He shares the festival’s curation this year with Guest Director Laurie Anderson.

The nature of Europe, its administration, institutions and its porousness are hot topics. Sectors of Britain’s media and political class hyperventilate over trumped-up concerns while real issues which are just about impossible to address remain unresolved. In this climate, the European Border Breakers Awards are ripe for misinterpretation. Instead of being for those devising the shrewdest ways to slip in and out of countries, they are an annual European Union-sponsored award presented to pop musicians achieving success beyond their own borders.

So, the first day's done. We awake, bleary-eyed and emerge from our tents and survey the scene. No matter how bad it looks for our immediate future health, the clouds are sure to clear before the inaugural beer and opening bands. The quality continues as we run through the very best we've seen this year to create the best bespoke festival we can imagine given theartsdesk's collective gig-going this year. In short, ladies and gentlemen… welcome to Sunday's line up of theartsfest 2015.

MAIN STAGE

Madonna 10.00 - 11.30

The festival market is one that has, like much of Britain, become oversaturated of late. Here at theartsdesk however, we feel that there’s room for one more as long as it’s of the highest possible quality. Here, then, is our line-up, a dream festival pulled together from our writers’ highlights of the past year. It’s two days over two stages and, best of all absolutely no danger of getting some hideous water-borne disease while sleeping in a substandard tent. 

The attack is relentless. Its power pummels like a gale. The 2015 model Mercury Rev begin their set at Iceland Airwaves as they meant to finish. Never has this band been so forceful, so kinetic. Yet their trademark balance of filmic drama and delicate melody was not sacrificed during this convincing revitalisation. On stage at Reykjavík’s Harpa concert hall on the festival's second day, Mercury Rev set a bar so high it sowed seeds suggesting nothing could top this. If they are playing, see them.

Sometimes appearances can be deceptive. The frontman on stage looks as generic it gets. His scruffy beard, retro specs, baseball hat, shapeless jeans and the bulging outline of a mobile phone stuffed in his trouser pocket don’t add up to suggest that his band Tahiti Boy & the Palmtree Family are going to be anything distinctive. But the studied casualness belies what actually takes place musically. This is exceptional.

An encounter with Hamburg’s Reeperbahn is akin to assimilation into a real-life kaleidoscope where bright lights, mass revellers and shills touting bars, night clubs or strip joints combine in a single multi-sense overload. The tumultuous thoroughfare is dedicated to excess.

One of the summer’s greatest pleasures has been to confirm an often untested truism: that you may hear some of the finest and rarest music-making in out-of-the-way places. Just take a local who’s made the grade – in this instance, violinist and conductor Thomas Kemp – and who can gather friends and colleagues of equal calibre around him, harness the most atmospheric and/or unusual local venues, here spread around beautiful Kent country in the vicinity of heavily wooded North Downs and the Pilgrims’ Way, and you have a top-notch festival.