Margot, BBC Four
TV film hints maybe it was Fonteyn and Arias all the time
If Margot Fonteyn and Rudy Nureyev were the most massively important people who ever existed in ballet, then the most massively important question that ever existed in ballet was, did they sleep together? Last night Margot got this over pleasingly quickly. There was the quivery BBC anno at the start that there would be scenes “of a sexual nature”, and hop-skip-jump the couple were at it like rabbits straight after their first performance together.
Interview: Anne-Marie Duff plays Margot Fonteyn
The turbulent life and loves of the prima ballerina
Anne-Marie Duff doesn't really resemble Margot Fonteyn. Blonde, fresh-faced and blue-eyed, she has nothing of the exotic, olive, Latin complexion that Fonteyn inherited from her Brazilian grandfather. And she never learned ballet, even if, with her long, lean frame and elegant swan neck, she looks more like a dancer than the rather more compact Peggy Hookham of Reigate (as Fonteyn started out in life).
Hi Society: The Wonderful World of Nicky Haslam, BBC Four
Half a century of celebrity hobnobbing with dahling Nicky
Enid, BBC Four
Beloved children's author Enid Blyton is portrayed as a ruthless ice maiden with a father fixation
Singles and Downloads
Thomas H Green rummages through the hottest new singles and downloads
When white 7" singles drop though my letter box with commercially suicidal band names, they're usually from artists just starting their career, boutique vinyl being cannily collectable in our MP3 age. Slagsmalsklubben, however, which means The Fight Club in their native tongue, are a six-piece from Norrkoping in Sweden who have three albums under their belt.
Synth Britannia, BBC Four
Alienated synthesists trigger pop revolution
Would-be axe murderers of the BBC often propose to lop off (among other things) TV channels Three and Four, but Four’s music coverage is vastly better value for viewers’ money than the executive pension fund. Synth Britannia stuck firmly to Four’s “Britannia” formula, being a bunch of talking heads and clumps of archive footage interwoven with synth-pop classics from the late Seventies and early Eighties. But that’s OK as long as the raw material is strong, and this saga of post-punk, pre-New Romantic gadget-pop was often fascinating and sometimes even thought-provoking.
Micro Men, BBC Four
When British computing ruled the earth!
The Art of Dying, BBC Four
Is Art any defence against the Grim Reaper?
The Great Unknown, the Last Enemy, the Big Sleep… it’s death we’re talking about, and Dan Cruickshank’s affectingly personal film succeeded in reaching the conclusion that there is no conclusion he could comfort himself with. “What if after death there’s nothing?” pondered Dan.