Pose offers something that is really rare in the TV world: it’s a show that manages to be both darkly sombre and completely uplifting. The drama, which is about New York City’s 1980s ball culture, focuses on the lives of trans women and gay men competing for glory in the ballroom while fighting for their lives on the streets.

Well here’s an interesting one. We’ve been up to our eyebrows in Eurocops for the past few years, but this Anglo-Japanese fusion from BBC Two (the title translates as "Duty / Shame") feels strikingly fresh and different.

Learning support officer. Student. Chip shop owner. Mobile caterer. Gym owner. These were the day jobs of some of the volunteers featured in this week’s portfolio of tales on BBC Two from the Royal National Lifeboat Institution, who would all doubtless deny that they do anything heroic. For the people they rescue, they most certainly do.

If you’re a farmer who works round the clock to feed sheep, milk cows and so forth, how on earth do you make time to find a partner and reap a harvest of marital bliss?

It was a lovely summer’s day in southern England, much as it was in County Sligo. I was with my parents, driving to visit a very elderly relative. We arrived not long after the news of Lord Mountbatten’s death was announced and my great aunt was distraught, more over the death of someone she saw as a war hero than over the general carnage, I suspect.

While a spot of home cooking can be a relaxing experience with a nice meal at the end of it, signing up to this culinary campaign with Michelin-starred mega-chef Jason Atherton is like being sent off to join the Foreign Legion.

Not everybody is on Facebook, yet. So far, Mark Zuckerberg’s social media monolith has only managed to scrape together about 2.3 billion users, roughly one-third of the planet. But as this fascinating documentary revealed, Facebook’s plans are huge and its ambitions boundless.

The Apollo 11 mission remains the most celebrated journey humanity has ever made. It produced some of our most iconic images, as well as the greatest speech gaffe, and a documentary of epic scale could be made that focused solely on the influence it has had on our popular culture.

The BBC is pleased with itself for having insinuated a documentary team inside the Bank of England, but was this august custodian of the nation’s finances really going to let slip any juicy revelations? The Bank’s role is too powerful and too political for its employees to be anything other than extremely tight-lipped.

As an aid to meditation, Professor Brian Cox’s latest series The Planets (BBC Two) could hardly be faulted. A majestic tour of the Solar System awash with computerised imagery, an eerie soundtrack and a travel budget the president of the United States might envy, it exerted a narcotic allure as Cox’s gaze roamed billions of kilometres into deep space. His whispery commentary is a bit like having a scalp massage.