As the finishing line begins to materialise through the haze of fear, suspicion and zany acronyms, the pace of this sixth series of Line of Duty (BBC One) has hotted up appreciably. In earlier episodes, there sometimes seemed to be a lack of intensity, and even the fabled interview scenes didn’t always grip like they used to. Maybe filming under Covid conditions had something to do with it.

After arriving with a bang in 2018, Keeping Faith (BBC One) disappointed many (though not all) of its fans with 2019’s second series. It’s had a bit of a breather before this third – and final – series, first seen in its Welsh version Un Bore Mercher on S4C last November. So, how is it shaping up?

Belfast-based thriller Bloodlands comes from the pen of first-time TV writer Chris Brandon, though he may find some of his thunder being stolen by the show’s producer, Line of Duty supremo Jed Mercurio. Line of Duty is filmed in Belfast too, though it doesn’t advertise the fact on screen. Bloodlands, on the other hand, is steeped in its northern Irish locations both rural and urban, as it unravels a dark and twisty tale of the legacy of the Troubles and how the past has an ugly habit of coming back to poison the present.

The Doctor (Jodie Whittaker) has a simple routine: she gets up at the same time every day, tramps out for her allotted hour of exercise, and spends the rest of the day staring out of the window, yearning for freedom. Sound familiar? That’s a bit worrying, she’s in prison. 

The fifth and final film in the Small Axe series is titled Education. At first, it appears this refers to the education of the central character, 12-year-old London boy Kingsley Smith, impressively played by Kenyah Sandy, who’s transferred to a disgraceful “School for the Educationally Subnormal” after being disruptive.

The third film in Steve McQueen’s Small Axe quintet (BBC One) took for its subject the real-life story of Leroy Logan, the Islington-born son of Jamaican parents who joined the Metropolitan Police in the early Eighties.

With the Black Lives Matter movement spurred this year by another wave of police brutality against African Americans, Steve McQueen’s blisteringly powerful, viscerally topical drama reminds us of the UK’s own torrid record in that regard, by returning to a true story that is, thankfully, as inspiring as it is appall

The first series of the BBC and HBO’s fantasy adventure His Dark Materials felt even more timely than when author Phillip Pullman first published Northern Lights twenty-five-years ago.

Fires are raging: by human agency – unthinking greed – in the Amazonian rainforest, by climate change, arson and accident in California and the American Northwest, and barely under control in Australia, another country whose leading politicians and media deny climate change.

According to one interviewee here, a young Mancunian woman festooned with eyeliner, tattoos, pumped-up lips and huge hoop earrings, a major motivation for having cosmetic treatments is to make yourself look like Kylie Jenner and the Kardashians. “Big lips, square jaw, tiny waist, big bum, big boobs – now it’s become commercial enough that we can get it,” she explained.