The first series of the BBC and HBO’s fantasy adventure His Dark Materials felt even more timely than when author Phillip Pullman first published Northern Lights twenty-five-years ago.

Fires are raging: by human agency – unthinking greed – in the Amazonian rainforest, by climate change, arson and accident in California and the American Northwest, and barely under control in Australia, another country whose leading politicians and media deny climate change.

According to one interviewee here, a young Mancunian woman festooned with eyeliner, tattoos, pumped-up lips and huge hoop earrings, a major motivation for having cosmetic treatments is to make yourself look like Kylie Jenner and the Kardashians. “Big lips, square jaw, tiny waist, big bum, big boobs – now it’s become commercial enough that we can get it,” she explained.

Alarm bells start ringing whenever you discover an author is adapting their own work for a screenplay. In the case of New Zealand novelist Eleanor Catton, the alarm proves to be false. 

The poisoning of Sergei and Yulia Skripal with the nerve agent novichok in 2018 was one of the more bizarre episodes in recent memory, a kind of delayed-action echo of the Cold War.

This engaging sitcom created by comedian Holly Walsh has had a long gestation: this, the pilot episode, was first broadcast back in 2017 but Walsh's pregnancy meant that the six-part series commissioned at the time was filmed last year.

Christopher Eccleston isn’t the easiest actor to love, because he gives the impression he’ll reach through the screen and grab you by the throat if you don’t appreciate his ferocious thespian intensity, but with the role of Maurice Scott in The A Word (BBC One), he’s found the perfect vehicle for his particular set of skills. Loud, bossy and as subtle as a category 5 hurricane, Maurice is the show’s big-hearted patriarch.

Instant spoiler alert: she’s not dead. But do we care? Prepare for the plumbing of new psychological depths from showrunner Suzanne Heathcote, previously story editor, appropriately enough, on Fear the Walking Dead, but that may not be enough to keep series 3 from veering into slightly dull and serviceable territory, judging by the first three episodes. Murderous clowns at a kids’ party, for example, have surely been done to death.

She's not quite a household name yet, but Leeds-born Gemma Whelan is heading speedily in that direction. Having started out as a standup comedian, winning the Funny Women Variety Award in 2010, Whelan began notching up film and TV roles, en route to making a significant breakthrough by being cast as Yara Greyjoy in HBO's Game of Thrones.

In this aptly-titled series (BBC One), four British 20-somethings visit the USA to investigate the inner workings of the beauty industry. Perhaps not surprisingly, they discover that it’s a hotbed of greed and exploitation.