There’s now been a fair amount of music produced in reaction to the Covid-19 pandemic and most of it has contained at least a suggestion of hope for the future. The Bug’s new album? Not so much.
Despite their implosion three years earlier, 1977 was a good year for The Stooges. The CBS budget label Embassy reissued their 1973 Raw Power album in the wake of their songs cropping up in the repertoires of The Damned and Sex Pistols.
The presence of Nashville’s Erin Rae and Caitlin Rose on guest vocals suggests Spencer Cullum's Coin Collection could be a take on country music. Indeed, the album was recorded in Nashville and Cullum has contributed pedal steel to live shows and records by A-grade Music City star Miranda Lambert. However, Cullum has also played on records by Herman Dune and Kesha.
Following on from last year’s online-only My Light Shines On programme, traditional music features heavily in the 2021 Edinburgh International Festival, with a series of live performances taking place outdoors, in the quad of Edinburgh University's Old College (pictured below).
People Just Do Nothing is a mockumentary BBC TV series, now ended, about fictional Brentford pirate radio crew Kurupt FM. It’s also a comedy based entirely on the Dunning-Kruger Effect, in that the humour derives from the worldview of all the key characters – tawdry, hopeless garage MC/DJ chancers – being confidently blinkered to the point of absurdity, while all else points to their utter uselessness.
Here we are, deep in the second summer of Covid-19 and the UK music festival industry is still giving the impression of being on life support. Yet again, there’s been no Glastonbury, no Womad and not even the return of the Supersonic Festival. Somehow though, the heavy metal community have managed to keep things going. In June, there was a reduced capacity Download Festival to keep 10,000 metalheads happy.
For a man who didn’t know the alphabet until the age of 28 (apocryphally – it was probably 26), Ryder’s lyrical dexterity is remarkable. He only discovered that he had ADHD and dyslexia at the age of 40, having been addicted to heroin for 20 years (“I felt like I had me underpants on back to front. Drugs made me feel normal”). Now approaching 60 and clean for the last two decades, he has unearthed an old album, found "down the back of the sofa".
It’s almost 25 years since Alabama 3 unleashed their “sweet, pretty country acid house gospel music” on an unsuspecting world with Exile on Coldharbour Lane – one of the finest records of the late 20th Century. 12 albums later and with their first since 2016’s Blues, the band are still very much rooted in a world of urban weirdos and misfits, and this is all to the good.
After a band’s back catalogue has been reissued countless times, any new release needs a fresh approach to attract attention. Archives and collections can be scoured to find previously unissued tracks. There might be otherwise unknown recordings released under aliases, or maybe something which escaped via an obscure continental soundtrack album. But on their own, such discoveries aren’t enough. They need to be married-up with the familiar. Hence what can be a last-resort release: a complete works collection.
The release into a world in lockdown of Bob Dylan’s first original album in almost a decade caught everyone by surprise last year. Rough and Rowdy Ways drew widespread and universal praise. Its coming was heralded by a single, “Murder Most Foul”, a lengthy song, released without fanfare, addressing the Kennedy assassination which was, of course, the subject of great textual exegesis.