Since The Smile drummer Tom Skinner’s bandmates Thom Yorke and Jonny Greenwood are two-fifths of Radiohead, the trio is often designated a “side project”, or satellite, as if its music pales beside the mothership’s. On the strength of its second album, that’s an absurd, not to mention insulting notion.

Alkaline Trio’s gruesomely named 10th album, Blood, Hair, And Eyeballs, is a commentary on the modern world through the dark, poetic lens that the band have honed over their 25-year career. In both theme and sound, it captures their identity while offering new observations.

Halfway through this album, “They Sold My Home to Build a Skyscraper” unlocks it. On first listen I’d been nodding along with the first few songs, enjoying how they find glimmers of more or less forlorn hope in amongst sadness and middle-aged domestic stress.

When Ed Sheeran sang about a Galway girl in his radio-friendly folk number of the same name, he hadn’t met NewDad vocalist and guitarist Julia Dawson. This Galway girl doesn’t play a fiddle. She fronts an ethereal foursome re-energising a classic shoegaze sound rather than falling in line with fellow Irish acts and their hard-hitting anthems (see 6Music staples IDLES and SPRINTS). 

Native Sons joyfully reframed musical styles of the past for the present. Even so, the freshness and oomph of The Long Ryders’ debut album meant revivalism was sidestepped. Originally issued in October 1984, it was a landmark in helping to nurture what would later be habitually defined as Americana. The word had been around, but Native Sons was pivotal to it gaining traction.

Since his time fronting the hardcore band Gallows, Frank Carter has established himself as a figurehead of modern British punk-rock. His current project, Frank Carter & the Rattlesnakes is among the most lively and exciting live acts in the UK.

With this her third album, Bronx-born-singer-songwriter Lizzie No promises “an apocalyptic journey from exile to liberation” – a bold promise. Halfsies is certainly an album of musical contrasts: on the one hand the freneticism of “Getaway Car” or “Lagunitas”, on the other the gentle, delicate beauty of “Mourning Dove Waltz” or “The Heartbreak Store”.

From folk to rock and back again, this is a beguiling album that’s tough and tender and full of sly humour. Listening to it, you can see why the audience at last year’s Celtic Connections was won over.

Shaun Ryder is now known mostly for being Shaun Ryder, via any random TV programme that will pay him a couple of quid. In this light, his musical achievements have lost some of their shine over the decades. But, if given the chance, a couple of those Happy Mondays albums and the first Black Grape album still own the room.

There are musicians on the UK dance underground who doggedly identify with particular scenes and evolve with them. There are those who adapt stylistically in order to move from scene, or manage to be part of several at the same time. And then there is Londoner Danny Native aka Altered Natives. He is truly the outsider’s outsider.

Around the time the time that he retired his Ziggy Stardust alter ego, David Bowie put out an album of covers, done in a Glam/Proto-punk style. This included tunes by the Yardbirds, the Kinks and various other Garage Rock bands that were somewhat outside the mainstream at the time.