It’s been a while since Mick Jagger, Keith Richards and Ronnie Wood sat down together at the Hackney Empire to introduce their first album of new songs in 18 years, and their single, “Angry”, is now approaching 20 million views on YouTube.
Initially, it doesn’t sound so unusual. The collection’s first song is titled “Never Understand.” Sung in English, it’s poppy reggae with a light feel, twinkling keyboard lines and a lengthy, rock-oriented guitar solo. The singer appears to be a fan of Bob Marley. Originally, it was the last track on Side One of Hesnawi and Peace, the 1980, Italy-recorded debut album by Ibrahim Hesnawi.
Recently recovered from her fifth bout of Covid, Thea Gilmore last night made a return to London’s Union Chapel, a wonderfully atmospheric venue where the price to pay for a concert is a numb bum (unless you remember to hire a cushion). For the first time since 2017, she stepped out with a band – Charlie Rachael Kay on bass, Jim Kirkpatrick on guitar, Olly Tandon on drums – playing to a not-quite-full house that was overwhelmingly white and appeared rather surprisingly old. It was a strikingly weird disconnect.
Nitin Sawhney never fails to produce albums that draw on the talent of his brilliant friends, touch on issues of current urgency, and bridge musical styles with great deftness and in a way that avoids the frequent artifice of fusion.
You may have heard that Mike Skinner’s made a film. He’s certainly done the rounds, press-wise, so you’d be hard pushed to have missed it. You have to admire the man’s tenacity. When the money to make a feature film didn’t surface, he decided to fund it himself. And direct, produce, write, edit, score and star in it, too.
The first declaration of love for the Last Dinner Party arrived approximately one song into their set. “I love you too,” declared a delighted looking Abigail Morris, the band’s pirouetting frontwoman, in response, and the ensuing hour suggested outpourings of affection are just one of many reasons for Morris to be cheerful these days.
Il Viaggio is a form of soundtrack. Its lyrics, music and soundscapes are created in response to the journey referenced in the title. Though born and raised in Belgium, Melanie De Biasio’s paternal grandfather was Italian. After the Europalia arts festival contacted her to see if she would create a work on its chosen theme of “Trains & Tracks” she chose to explore her roots. This took her to Abruzzo, in central eastern Italy – where Il Viaggio was born.
The artist formerly known as Afterlight returns with her first self-titled album, a collection of songs which “delves into the cracks between the paving slabs of life's big themes” and which explores “the understanding that comes with experience”.
"Nice Normal Woman", the track, which opens the album, was inspired by a quote from Bette Davis in All About Eve (“write me one about a nice normal woman who just shoots her husband”) and it arrives in the world with an 800-frame stop-motion video attached, filmed by Gilmour in her bedroom.
In an interview following the release of Pale Saints’ March 1992 second album In Ribbons, the band’s Ian Masters expressed his admiration for Eyeless in Gaza, Laura Nyro and Television. He told Option magazine “I find it incredible how much I am moved by Laura Nyro’s songs and how much of the emotional input that she has translates. I find it quite disturbing – it’s uplifting and depressing and really has the full spectrum of feelings.”