During the Dark Ages, it wasn’t unusual for people throughout England to raise the prayer “From the fury of the Northmen, deliver us, O Lord!”. Over a thousand years later, with the release of Geordie rockers Pigs Pigs Pigs Pigs Pigs Pigs Pigs’ new album, it will be no surprise to hear the same cries from chart-pop lovers of a nervous disposition.

The most commercially and consistently successful band on DinDisc was Orchestral Manoeuvres in the Dark. Martha and the Muffins also made a mark. Label mates The Monochrome Set were cool, distinctive but not so chart friendly. The Revillos were less reserved, as was New Wave of British Heavy Metal outfit Dedringer. The patronage of Heaven 17 brought dance troupe Hot Gossip to the label.

Antwerp band dEUS – built around the core of Tom Barman and Klaas Janzoons – started out as a very interesting band. They fully leaned into the anything-goes sector of 90s music where the likes of Beck, Beastie Boys, Björk, Moloko and Super Furry Animals kicked away genre fences and got their weird on.

Later, they got a bit Big Indie, with big, sweeping, widescreen songs that put them closer to Doves and Elbow and guaranteed them nice festival slots. Significantly less interesting, but packed with accomplishment and emotional heft, and definitely deserving of ongoing success.

The Brian Jonestown Massacre has been described as many things over the years, but lazy cannot be one. Whilst they’ve pretty much always been a band just on the periphery of the big time, they’re surely some of the busiest guys in rock and roll.

The band’s 20th studio album, The Future is Your Past is out on 10th February, a mere seven months after its predecessor, Fire Doesn’t Grow on Trees, and their latest tour sees 26 dates in the UK and Europe in just over a month.

I’ll admit it. When I first saw that noughties indie rockers Bloc Party would be supporting Grammy award-winning emo stars Paramore on their Spring stadium tour, it seemed like a perplexing choice. But, four minutes into hearing the return sounds from the Nashville natives and the crossover is palpable. Former single "The News" is just as sharp as Kele Okereke’s helicopter blades when it comes to cutting up the indie dancefloor.

It would seem that we’ve been overdue a dose of that awkward teens years nostalgia as all three of Fall Out Boy, Paramore, and their UK Emo/Pop-punk counterparts You Me At Six come back bearing new, angst infused music.

For You Me At Six, their career so far has been forever attached to that unmistakable genre, yes, but to their credit they’ve always strived to expand their sound and develop as a band. To label them as the pre-eminent UK emo group doesn’t quite give them the right credit or tell the whole story.

In this context, what’s named “diamond road” is a metaphor for staying on course rather than, as the lyrics of the song “Diamond Road” put it, letting yourself go or sprawling all over the floor. Follow this route and life won’t be a mess.

Eliza Carthy has been busy, as she always has. Recording various albums with various artists during the pandemic, her show with her band, The Restitution (and many others), at the Barbican on Saturday, was well stuffed with music, musicians, laughter, familial connections and celebrations. 

Yo La Tengo’s new disc would appear to be an homage to the indie scene of the mid 1980s: a place before baggy beats became the groove du jour and where dancing with wild abandon was somewhat of a rare occurrence. Indeed, in This Stupid World maudlin and distracted vocals, fuzzy guitars and spacey vibes predominate on tunes that seem to be, with a couple of exceptions, firmly aimed at the head rather than the hips.

The New York Dolls, The Ramones, Suicide, Television, Blondie, The Dictators, The Heartbreakers, The Shirts, Richard Hell and the Voidoids. From 1974 onwards, New York buzzed with bands. There were also Tuff Darts, The Fast, Pure Hell, Von Lmo and others who didn’t quite grab the brass ring. Out of towners like The Dead Boys, Pere Ubu, Devo and The Real Kids jostled for attention too.