The 2011 Baftas, BBC One: The Twitter Review

It's a royal procession. How events unfolded, in no more than 140 characters

@Wossy seems to have been cast as second baddie in #PiratesduCaribbean 4

This intro is entirely about namechecking the films so they can cut away to the US stars who've jetted in from #Tinseltown

Lame string of Little Fockers jokes.

These clips montages always make films look like the complete Shakespeare. Then you go and see them...

@Wossy seems to have been cast as second baddie in #PiratesduCaribbean 4

Chatroom

The movie about social media that isn't going to win any Oscars

With its finger-on-the-pulse tagline, “Welcome to the anti-social network” and respectable credentials, Chatroom is an intriguing prospect. It’s based on an acclaimed stage play, directed by the visionary Hideo Nakata (Ringu, Dark Water), with a script by Enda Walsh (Hunger) and populated by a cast of bright young things including Aaron Johnson and Imogen Poots. However, this cyber-thriller offers precious few thrills and is hampered cringingly by an absolute lack of authenticity. It is, as its title and tagline suggest, an exploration of the chatroom phenomenon, focusing on five teenagers as they forge friendships in cyberspace; yet it is so hopelessly out of touch with the generation it purports to portray that, although the overarching premise rings (fairly) true, it is for the most part excruciatingly inaccurate.

Film: Catfish

Fascinating web-age documentary is a cautionary tale for social networkers

Ever since Catfish appeared in the States earlier in the year, debate has been raging about its bona fides. On the face of it an ingenious documentary playing smartly with the potential and pitfalls of social networking and the nature of personal identity in the cyber age, the film has triggered cries of “foul” from a number of critics and viewers. Morgan Spurlock, who made the junk-food odyssey Super Size Me, has called Catfish “the best fake documentary I’ve ever seen”.

The Social Network

David Fincher has sent you a message: the Facebook story is Shakespearean in scope

Success has many parents, the old saying goes. And that’s certainly the case in David Fincher’s new film, an enthralling dissection of one of the great success stories of our age. When Harvard undergraduate Mark Zuckerberg devised a putative version of the Facebook website in October 2003, he can not have imagined it would spawn a global phenomenon with more than half a billion users. Nor could he have predicted it would result in a sea of litigation that would pit him and his company against both aggrieved former friends and slighted foes alike.

The Last Night of the Proms, BBC One: The Twitter Review

The hope and the glory (and the bobbing): part two as it unfolded

Part 2 @bbcproms. The madness begins. Ms Derham has not switched gowns in the interval. No sign of Titchmarsh, for which we must give thanks.

The "traditional" necklace of laurels for Sir Henry Wood's bust. Wonder if he'd welcome his head being polished by a pink rag.

How do they pick these pieces? Apols but the Marche joyeuse did not fill this tweeter with joy. On the other hand, here's Renée plus a mike.

The Tony Blair Interview with Andrew Marr, BBC Two: The Twitter Review

Our live Twitter response to the ex-PM's grilling/book promo

JasperRees Not long now till Tony Blair faces interrogation by A Marr. GraemeAThomson and I tweeting a live review

GraemeAThomson Nice to see they’ve scheduled it straight after Restoration Roadshow. Someone at the Beeb with a GSOH?

GraemeAThomson Marr's gone with the orange tie. Provocative

JasperRees Are you prepared to speculate about the timing of the Hague twin-bed allegations? Who wins? Who loses?

Friday Night with Jonathan Ross, BBC One: The Twitter Review

theartsdesk reviews the chat show's last stand on Twitter

JasperRees Not long now till @SweetingAdam and I start tweeting our live Friday Night @Wossy review here. 10.35 sharp.

SweetingAdam @JasperRees you could cut the atmosphere with a rolling pin

JasperRees I won't miss those bubbles. Or that music. It's sort of a bit rubbish

JasperRees BTW We are now reviewing Friday Night with Jonathan Ross, live on Twitter. He's said he's not going to cry

JasperRees Are you there, @SweetingAdam? I'm doing this on my tod. (My daughter: 'Are they all gay?' She's 17)

SweetingAdam Are the 4 Poofs employable in a post-Woss world?

JasperRees I believe they charge a mint for personal appearances. No doubt they're upping sticks for ITV1 too.

JasperRees Not long now till @SweetingAdam and I start tweeting our live Friday Night @Wossy review here. 10.35 sharp.

SweetingAdam @JasperRees you could cut the atmosphere with a rolling pin

JasperRees I won't miss those bubbles. Or that music. It's sort of a bit rubbish

JasperRees BTW We are now reviewing Friday Night with Jonathan Ross, live on Twitter. He's said he's not going to cry

JasperRees Are you there, @SweetingAdam? I'm doing this on my tod. (My daughter: 'Are they all gay?' She's 17)

SweetingAdam Are the 4 Poofs employable in a post-Woss world?

JasperRees I believe they charge a mint for personal appearances. No doubt they're upping sticks for ITV1 too.

Paolo Nutini, Royal Albert Hall

Gravel-voiced Scot makes a plausible case for his Meltdown inclusion

Earlier this week, when the line-up for Richard Thompson’s Meltdown festival was announced, one name in particular will surely have raised a few eyebrows: Paolo Nutini. Among the appearances by serious old folkies and earnest young Wainwrights and an “evening of political song” that Thompson has planned for his stint as curator of the annual festival on London’s Southbank, a show from this young Scottish singer and songwriter seemed a bit of a lightweight choice; perhaps even a controversial one.