Russell Howard, London Palladium review - silliness laced with seriousness

Comic urges us to fight the machine

share this article

Russell Howard gave a typically energetic performance
Matt Frost

An evening in the company of the smiley Russell Howard always lifts one’s spirits and his latest show, Don’t Tell the Algorithm, proves no exception.

But first he’s going to get a few things off his chest as he bounces around the stage – namely, the state of the world. “What a wonderful time to be alive,” he says drily, as in just the first 10 minutes he manages to mention Donald Trump, Jeffrey Epstein, Bonnie Blue, ICE agents, Iran and Brooklyn Beckham. It’s a breathless performance and gag-heavy, and sets the tone for the evening – silliness laced with seriousness in a trademark energetic performance.

Although Howard’s raison d’être is positivity and appreciating what we have, his material has grown more political over the years, and here he rails against the left and right (although mostly right) and their soundbite politics.

Howard has been accused on being a “beige” comic; I think that’s unfair, but I’d doubt he’d ever take an unpopular view on anything – although there are hints and feints in his material to not following the party line on some subjects. I’d love to hear this avowed liberal steam into one or two hot issues without fear of being cancelled – but that’s not his shtick and besides, he does his Everyman observational comedy so well.

Back to the positivity: his family, as ever in his material, pop up several times in the evening, and he talks about becoming a dad, going to NCT classes and how wonderful nature is in providing sustenance for babies through breast milk. (Although, this being a Russell Howard show, there plenty of smut about liking boobs too.)

The show’s theme comes to the fore about an hour into the 90-minute performance, where he expands on how we should focus on making human, individual connections rather than being slaves to the algorithm on our phones and tablets. The evening loses some momentum here – one or two of the stories about how daft some of the people in his life are don’t fully convince – but Howard rounds things off with a clever callback.

It’s a slick, well-drilled show – and it will put a smile on your face.

His family, as ever in his material, pop up several times

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!