Album: Kaitlyn Aurelia Smith - The Mosaic of Transformation

Mystical synth-wrangler continues to create warm oceans of sound

share this article

The Mosaic of Transformation: a gentle journey into embodiment

A singer-songwriter of somewhat mystical bent, originally from a forested island in the US Pacific Northwest, Kaitlyn Aurelia Smith really came into her own when she discovered vintage synthesizers. In particular, her masterpiece, 2016's EARS, saw her vocals merging into the rich flows of bubbling tones, melodies channelling folk traditions from various corners of the world, creating an unmistakably utopian sound. It felt neither futurist nor retro – rather, of a part with Craig Leon's Interplanetary Folk Music or Ursula K. Le Guin & Todd Barton Music and Poetry of the Kesh, beamed from an alternate, better, timeline.

Her next full album, 2017's The Kid, was fiercer, denser, driven by rhythm, as were her performances at the time, and suggested that Smith might be keen to compete with bands and DJs in the live arena. However it was followed up last year with the gentle drift of Tides: Music for Meditation and Yoga – and now this album which suggests she has little interest in moving towards standard performance tropes. This too is gentler, and as track titles like “The Spine is Quiet in the Center” and “Understanding Body Messages” make clear is tied up with Smith's own yoga practice: this is more exploration of self than performance to an audience.

As such, it's not as obviously or instantly attention grabbing as EARS or The Kid. There are plenty of vocals here, but the song structures are extra abstracted, ebbing and flowing with the textures, and there are very sparse new age type interludes that put paid to any sense of progression or momentum. However for all that, Smith seems to be physically incapable of making a sound that isn't delighting to the senses, and her new found love of synthetic string sounds, especially on the ten-minute-plus closer “Expanding Electricity” adds a swooning, romantic feel. If you want to get into this remarkable artist's work, EARS is still probably your best starting point, but as you swim outwards into the ocean of her other work, this is a great place to float.

@joemuggs

Watch an edit of "Expanding Electricity":

rating

4

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time