Rebecca Ferguson, Symphony Hall, Birmingham

Simon Cowell’s protégée puts on a show of real soul music

share this article

Rebecca Ferguson: soul woman

 As anyone who has a television will know, Rebecca Ferguson is a graduate of The X Factor – having come runner-up in the 2010 competition. In fact, with her heavily-promoted back story of overcoming heart-ache and disappointment, it looks as if she is presently being set up as the successor to Simon Cowell’s previous Queen Bee, Leona Lewis, whose career seems to have hit the buffers of late.

So, armed with songs of survival and redemption that she has largely co-written for her two albums, 2011’s Heaven and last year’s Freedom, she took to the stage in Birmingham to the sound of Billie Holiday’s “Lady Sings the Blues”, dressed in a floor-length dress with a plunging neckline that wouldn’t have looked out of place on Shirley Bassey in her heyday. This was all beginning to imply that this woman knows her stuff and has no intentions of being just another one of Syco’s pop muppets.

Ferguson is no run-of-the-mill, middle-of-the-road pop singer

Kicking off with “Fake Smile” and “I Hope”, from Freedom, the show had the air of a Stax revue from the Sixties, with the band dressed in black and respectfully sticking to the back of the stage. That’s not to say that their playing was pedestrian background noise though - the psychedelic soul tinges of “My Freedom” and the reggae touches on “Beautiful Design” suggested that they knew their stuff and were keen to show it off when given the chance.

On the 2012 Heaven tour, Ferguson covered an eclectic mix of other people’s songs to bulk out her set. From the Rolling Stones’ “Gimme Shelter” to Sam Cooke’s “A Change Is Gonna Come”, she applied the X Factor method of twisting classics into something a bit more easy on the mainstream, 21st Century ear. Unfortunately, in 2014 she has decided to use more contemporary fare, and presented us with versions of Tom Odell’s dreary “Another Love” and Katy Perry’s “Roar”. However, she did redeem herself by pulling a cracking version of Prince’s “Raspberry Beret” out of the bag, which got everybody on their feet.

Simon Cowell’s stable of acts tends to get a hard time from music journalists and fans of “real music” (you know who you are!), and the antics of acts like One Direction don’t do anything to calm these attitudes down. Rebecca Ferguson, however, seems to be in a different league from her contemporaries. Powerful renditions of “Backtrack”, “Mr Bright Eyes” and encore “Nothing’s Real But Love” – all from debut album Heaven – suggest that Rebecca Ferguson is no run-of-the-mill, middle-of-the-road pop singer. She’s something more – a real soul singer in the classic mould. Hopefully, she’ll be around for a long time yet.

The show had the air of a Stax revue from the Sixties

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time