Ayrton Senna, the opera

F1 comes to the opera! Puccini would approve

share this article

Senna_1_trimSince his death at the San Marino Grand Prix in 1994, the legend of charismatic Brazilian racing driver Ayrton Senna has grown to almost mythic proportions. Last year the three-time world champion was voted Best Driver in F1 History in a drivers’ poll in Autosport magazine, and a new documentary about his career is due in cinemas this autumn from Working Title Films.

More remarkably, an opera about Senna’s life has been jointly commissioned by New York’s Metropolitan Opera and English National Opera. Due to premiere in London in autumn 2012, Senna (as it’s called) will feature music by post-minimalist composer Michael Torke and a libretto by Michael Korie.

It will be directed by Des McAnuff, renowned for his work on hit stage musicals including The Who’s Tommy and Jersey Boys and an enthusiastic Formula One fan.

Whether the opera can do justice to Senna the ruthless racer and Senna the mystic (he claimed he’d seen a vision of Christ ascending as he clinched his first world championship at Suzuka in 1988) remains to be seen. Librettist Korie commented: “I was intrigued by the whole idea of opera and speed. They’re not things that you usually associate together.”

Gramophone editor James Inverne pointed out: “Opera, like any art form, has to have a dramatic story and Senna’s has many of the classic ingredients – a man addicted to speed and, in the end, that’s what kills him. You could imagine Verdi or Puccini scoring this – Puccini in particular loved cars.”

Watch Ayrton Senna in action:

rating

0

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more opera

Quality take on Verdi and a pure comedy re-imagining of Léhar
Turbocharged orchestra, sometimes too much so, various approaches from the singers
Richard Jones tries hard with Bellini's vehicle for lyric madness; Lisette Oropesa dazzles
Paula Murrihy is a majestic Persian king, though the orchestra is more flouncy than fiery
William Kentridge's vision subtly blends his political experiences with mythology
Fine music-making illuminates Debussy's sinister blend of realism and romance
In concert, Mozart's farewell opera burns bright
Not a huge number of laughs, but plenty of vocal charm from tenor and soprano
Niamh O'Sullivan is the perfect Knight of the Rose in classy revival
40th anniversary event overcomes disruption with exquisite music-making