Farewell, Salvatore Licitra

share this article

Licitra, a true Italian tenor
Licitra, a true Italian tenor
Nikolaus Karlinsky

The Swiss-born Sicilian tenor has died, far too young at the age of 43, 10 days after an accident on his Vespa. He was one of the best and most stylish of his rare breed, even if the scrummage to find an heir to Pavarotti sometimes pushed him into a corner. I'll not forget his Alvaro in Verdi's La forza del Destino at Covent Garden: here after so long was another true Italian tenor with a golden middle range who could at least act with his voice.

That London debut was memorably conducted by Antonio Pappano, though the advertised maestro who'd haughtily gone walkabout was Riccardo Muti. He'd given Licitra a major break at the Teatro alla Scala in Milan, the city where until the age of 30 Licitra had been running a graphic-design business. His first big hit with Muti was in Il trovatore, where he hit Manrico's high Cs and, more significantly, conveyed true ardour with terrific musicality. A fine recording of that live event remains as testament, though it seems to be out of the catalogue at the moment.

The musicality is also apparent in this YouTube clip which finds Licitra sensitively allied with Eugene Kohn and the Tokyo Symphony Orchestra. It may bring a lump to the throat: Puccini's Cavaradossi, condemned to death, sings how he has never loved life so much. Addio, Salvatore.

Watch Salvatore Licitra sing Puccini with the Tokyo Symphony Orchestra

rating

0

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more opera

Quality take on Verdi and a pure comedy re-imagining of Léhar
Turbocharged orchestra, sometimes too much so, various approaches from the singers
Richard Jones tries hard with Bellini's vehicle for lyric madness; Lisette Oropesa dazzles
Paula Murrihy is a majestic Persian king, though the orchestra is more flouncy than fiery
William Kentridge's vision subtly blends his political experiences with mythology
Fine music-making illuminates Debussy's sinister blend of realism and romance
In concert, Mozart's farewell opera burns bright
Not a huge number of laughs, but plenty of vocal charm from tenor and soprano
Niamh O'Sullivan is the perfect Knight of the Rose in classy revival
40th anniversary event overcomes disruption with exquisite music-making