Australia
Hugh Barnes
Fans of Michael Powell and Emeric Pressburger's timeless classic The Red Shoes shouldn’t rush to The Red Shoes: Next Step expecting a sequel. This sentimental Australian teen drama is more of a step-change than a follow-up.At least its American star, Juliet Doherty, was a professional ballerina before she took up acting – as was her Scottish counterpart, Moira Shearer, in the 1948 film – so the dance sequences feel pretty authentic, even if they’re shot in semi-darkness for some reason.The two movies have other things in common. The denouement in Powell and Pressburger’s masterful film Read more ...
David Kettle
Maureen, House of Oz ★★★★Make yourself comfortable – we’ll be here for a while. That’s what our host, 80-something Maureen, advises us several times during the course of her unhurried, hypnotically vivid reminscences of a life lived to the full. The era-defining, population-shifting changes she’s witnessed across her home neighbourhood of King’s Cross, Sydney. The teenage lover who disappeared into the turmoil of World War Two and returned changed forever. The soulmate whose death celebrations she staged with exquisite care. The little black book in which she records the dates of Read more ...
Thomas H. Green
There’s been a sense of anticipation around Ghanaian-Australian Genesis Owusu ever since his ebullient 2021 debut album Smiling with No Teeth. He won a bunch of Arias, Australia’s Grammys, but could he break internationally? He’s toured the US with Paramore and is due to hit Europe in the Autumn, including a stop at Berghain.His new album is a match for its predecessor, in terms of eclecticism and bravado, and has a higher quantity of immediately hooky songs, so it shouldn't be a hindrance in taking things next level. Owusu has said that it was partially inspired by Waiting for Godot and Read more ...
Justine Elias
Keeping up with viral teenage trends is nearly impossible – they travel at the speed of light – but here’s a new one, or ancient one given an electronic makeover.In Talk to Me, the new horror movie directed by twins Danny and Michael Philippou, Australian teenagers dare each other to become possessed by the dead while their friends capture the terrifying (or embarrassing) effects on their mobile phones.Talk to Me is no simple summer roundup of cheap shocks and jump scares. Full of shadows and melancholy, the movie delivers a sharp, twisty tale of shifting allegiances among a rough Read more ...
caspar.gomez
“stay with the beer. beer is continuous blood. a continuous lover.” So said Charles Bukowski in his poem “how to be a great writer”. Who am I to argue. It’s a bright day and 11.50 AM. The sun isn’t past the yard-arm but the beer is cold and good. IPA. Finetime and I stand with Vanessa, her 18-year-old son Cody and her mate Jodie. Vanessa has a short blond crop which glows.We’re to the west of Brighton, by the sea, the outdoor enclave of The Great Escape. As in other years, the three stages are dominated on Saturday by Australian acts. We’re here to catch the first of the day in the Amazon New Read more ...
Veronica Lee
Hannah Gadsby had a memorable lockdown; it was when the Tasmanian comic got together with producer Jenney Shamash. And it's their courtship that forms the basis for Something Special, the wonderful new show by Gadsby which is now a Netflix special, recorded at the Sydney Opera House.Gadsby, whose previous shows have dealt with some pretty serious subjects, including rape, homophobia and misogyny, tells us drily at the top of the hour: “This is going to be a feelgood show. I feel I owe you one.”And yes, it is indeed a feelgood show (based on the previously toured Body of Work). Essentially, Read more ...
Adam Sweeting
The Ten Pound Pom programme (or to use its official title, the Assisted Passage Migration Scheme) was devised to encourage British emigrants to Australia after World War Two. The idea was that the volunteers could escape from drab, rationing-battered Britain to the sun, sea and wide-open spaces of the Great Southern Land, while also helping to boost the Australian economy. Adults paid 10 quid and children travelled free.Notable participants in the project were future Prime Ministers of Australia Tony Abbott and Julia Gillard and Angus and Malcolm Young, later to become hard rock heroes with Read more ...
Thomas H. Green
With acrobatics at this level, they make it all look so easy, it’s possible for an audience to become complacent. By the time the show Out of Chaos, by the troupe Gravity & Other Myths, from Adelaide, Australia, has finished, the Brighton Dome crowd is so used to the quiet fluidity of humans swiftly leaping onto each other’s shoulders, standing there, walking around, and so on, that it seems quite normal and do-able. Fortunately, there’s a boisterous crowd in, keen to whoop, shriek and offer loud praise for such effortlessly delivered gruelling physicality.The stage is plain, a circuit of Read more ...
Helen Hawkins
As Australia's greatest comedic export exits the stage, strewing gladioli, a promising contender for that title makes an entrance, trailing a dog on wheels. The dog is the titular Colin from Accounts, for the few who still haven’t tried this exceptional, refreshingly mature comedy. Why has this eight-parter from a husband and wife team seemingly overnight occupied a place in British hearts that even Canada’s Schitt’s Creek didn’t manage until its last year of transmission? And that show had lockdown blues to speed it along. They aren’t unalike: both have a core of geniality cut with Read more ...
Aleks Sierz
The act of idol worship is, at one and the same time, both distantly ancient and compellingly contemporary. Whether it is Superman, Wonder Woman or Black Panther, our love of the superhero is both an aspiration and an abnegation. Looking at a star, the fan sees both their own potential and feels their own inferiority. In Olivier award-nominated actor and activist Danny Lee Wynter’s Royal Court debut, the attractively titled Black Superhero, the ambitious theme of black queerness is explored through the conceit of hero worship in a show whose cast is led by the author.Wynter is David, an Read more ...
Kieron Tyler
“Learn to Burn” generates the loudest and most sustained applause. As it was originally the opening track of Robert Forster’s 2015 album Songs to Play, the response is unexpected. It’s preceded by a version of his old band The Go-Betweens’ “Spring Rain,” and this London show follows the February release of his most recent album The Candle and the Flame – which would be an assumed focus of attention. So would an old favourite. This is a dedicated, attentive audience.But still, the reaction is surprising. Just before “Spring Rain” – the set’s sixth song – Forster mutters “it’s going well.” Up Read more ...
Kieron Tyler
Reflections on how the past relates to now suffuse The Candle and the Flame. The album’s closing track is “When I Was a Young Man.” When he was 21, sings Robert Forster, “I wrote songs, I was unsung, unheralded and undone”. His figurative brothers David and Lou showed him the way. Now in his mid-Sixties, he has a considerable artistic inventory to look back on. Including The Go-Betweens, solo albums, his writing. Messrs Bowie and Reed would be proud of what they helped initiate.However, this is not the source of such retrospection. The Candle and the Flame’s opener “She’s a Fighter” lays it Read more ...