Album: Golden Child - Game Changer

Refreshingly varied sophomore album from the K-pop 10-piece

share this article

This second full-length album from South Korean 10-piece Golden Child moves seamlessly from pop balladry to anthemic EDM without ever losing its footing.

With ghostly, submerged bell noises, ominous-sounding low brass, joined by strings and pounding drums that reaches a riotous crescendo, the pithy opener “Game Changer” certainly packs an incendiary charge, a figurative grabbing of the listener’s lapel which nicely sets up the dynamic rhythmic power of “Ra Pam Pam”.

Incorporating 1980s-style power guitar riffs, cowbell hits and a squiggly synth line embedded into its chorus, “Bottom Of The Ocean” – Golden Child’s first English-language track – is an unabashedly cheesy slice of pop rock. The album really takes flight with the rolling groove of “Fanfare” which casts everything including the kitchen sink into the mixer – brass samples, killing bassline, pleasingly weighty piano chords, sweeping strings, swelling analogue pads and a euphoric chorus which sweeps everything before it.

The intriguing coupling of Joochan and Bomin combine mellifluously in the easy-on-the-ear “Singing In The Rain”, while “Game” shrewdly juxtaposes the quick-fire, fluid rapping of TAG with the sweet-sounding timbre of Jibeom. Bathed in a warm reverb and packing in layer upon layer of ear candy, the surging standout “Spell” provides the strongest contrast imaginable with Daeyeol’s solo vocal which lights up the nostalgia-tinged ballad, “Out The Window”.

Featuring vocalist Y and rapper Jangjun, “Poppin’” gradually accrues additional textural layers as it moves from the stripped back bass and drums verse to the multilayered chorus, which breaks like a tidal wave on your senses. “That Feeling”, the only song to trouble the four-minute barrier, springs an element of harmonic surprise, with a chorus that takes you to somewhere entirely unexpected, and then it’s all hands on deck for the touching finale “I Know”, in which Joochan’s final line, sung solo, seems to hang like a question mark.

@MrPeterQuinn 

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The album takes flight with the rolling groove of “Fanfare” which casts everything including the kitchen sink into the mixer

rating

4

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album