As Janis Pugh’s semi-autobiographical Chuck Chuck Baby draws to a close, the camera fondly plays around the smiling faces of some of its voiceless female characters – careworn middle-aged workers in a Welsh chicken processing factory. They're cheered by finally seeing something good happen to one of their number. It’s the romantic musical drama’s most loving visual aside – the poultry packers’ ingrained pain and disappointment momentarily forgotten.

The noise in the international mainstream in recent years might be about dance-pop, hip hop beefs and the serious balladry of Taylor, Billie and Lana – yet at the same time, R&B has been strange, brilliant, ultra-popular, but generated a tiny fraction of the column inches and “discourse”.

Times change, people don't. Does a knighthood sit well on a man who shags anonymous strangers in the Blue Lion out of hours? Emlyn Williams played his own fruity lead when his play Accolade premiered in 1950 - Bill Trenting, a hugely successful writer of seamy bestsellers who (improbably) is about to be knighted and (still more improbably) won the Nobel Prize for Literature, but who will be publicly exposed for his double life enjoying promiscuous stranger-sex in Rotherhithe bars, if he doesn't pay his blackmailer. 

Jon Savage's The Secret Public How The LGBTQ+ Aesthetic Shaped Pop Culture 1955-1979 accompanies the titular author/historian/journalist’s book of almost the same name. The Secret Public: How LGBTQ Resistance Shaped Popular Culture (1955–1979) and this 41-track double CD each track exactly what their titles say, drilling into what has often paralleled or underlain yet repeatedly influenced a constantly evolving mainstream.

Who is Sappho? What is she? Not much is known about the influential Greek poet who was born some 2500 years ago. Her poetry was celebrated during her lifetime, but very little has survived. Those fragments that do exist speak of love, passion and longing.

In Shakespeare's day theatre was regarded as "wanton" by those of a Puritan disposition who feared boys dressed as girls could engender wicked thoughts of same-sex love in players and audience. But such ideas are, of course, part of the story, especially in comedies such as As You Like It and Twelfth Night. Director Owen Horsley here celebrates the queerness rather than leaving it to the perception of the audience.

Somewhere along a desert highway in the American Southwest, where there's not much to do besides get drunk, shoot guns, and pump iron, a stranger comes to town.

Beautiful Thing’s opening scene plays out like a sweary take on Bill Forsyth’s Gregory’s Girl, Meera Syal’s potty-mouthed PE teacher lambasting her Year 11 pupils with language that would now have her hauled up in front of a professional conduct panel.

Yihao is a disaffected 20 year old living in Chengdu, capital of Sichaun Province. A thriving centre for business and commerce, Chengdu looks like any other modern city. You could mistake it for downtown Chicago except that, apart from the Walmart logo, the signage is in Chinese.

The movies haven’t been kind to Pyotr Ilyich Tchaikovsky. The Nutcracker Suite was a highlight of Walt Disney’s Fantasia (1940) perhaps, but the 1969 Soviet biopic directed by Igor Talankin was tedious and Ken Russell’s The Music Lovers, released two years later, worse than that.